It explores the dual dimension of micro and macro where the natural seems unnatural. Through the intervention and the video reworking - both prepared starting from images acquired by a digital microscope and in real time during the performances - the images lose their original size and scale, to acquire abstract and impressionistic forms in a continuous flow that follow the temporal relativism of the continuous bpm changing that lead the viewer into an abstract and fragmentary sound dimension, with some rhythmic / harmonic grip to cling to.
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